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nicholevanbeek:

Philip Taaffe

Earth Star I, 2013
Mixed media on canvas
73 1/2 x 93 1/2 inches

at Luhring Augustine until June 15, 2013

jameslmadden:

Imi Knoebel, 24 Colors—for Blinky, 1977

jameslmadden:

Imi Knoebel, 24 Colors—for Blinky, 1977

(via wowgreat)

Painting….
One of Painting’s great strengths is its frankness: pigment applied to support; paint on a surface. It is not reliant on technology and it requires neither specialist knowledge nor mastery of esoteric technique. (Although of course it does not preclude these things.) This simplicity and openness is the likely reason it has endured and will, undoubtedly, continue to endure. The scope for variety and invention is massive while the basic foundations of the medium remain secure. For me painting is about making and looking; process and the visual. It is a discipline which relies on these two factors and as long as they remain relevant so too will it.

[fundamental]PAINTING

http://fundamentalpainting.blogspot.ca/2012/08/painting.html

(via williswillkillus)

martinformgren:

Martin Formgren, Hovering Homie, 2013

martinformgren:

Martin Formgren, Hovering Homie, 2013

(via wowgreat)

(Source: vincenthawkins)

emilyauchincloss:

colorfields:

WARPAIN’T

Holy darn Paul!

stuartshils:

“rilke mentions that if you went out in the forest and looked for the unicorn and you saw it, you wouldn’t recognize it. you wouldn’t see it at all. that is, if you see a thing as if you were seeing it for the first time, you wouldn’t be able to see it.”

guston

We melt into each other with phrases. We are edged with mist. We make an unsubstantial territory.

Virginia Woolf, The Waves

via swanfucker * violentwavesofemotion (via frenchtwist)

(via frenchtwist)

mitjaissick:

Roman Ondák
 Leap, 2012
 Installation view 

mitjaissick:

Roman Ondák

Leap, 2012

Installation view 

(via timmcfarlane)

vincenthawkins:

vincent hawkins
Ovals,
studio wall
 feb 2012

vincenthawkins:

vincent hawkins

Ovals,

studio wall

 feb 2012

(via judithbfarr)